Alessandra Facchinetti has done in Valentino what it does best, a collection correct, without exaggerations and the talk but nobody outside of the sickness if their entry into the world, the real world of elegance, the fashion for the big door as a signature Valentino. A collection that no one would, no publisher would, no red carpet and never highlight among the tide of wearing a walkway. Alessandra and its collection moves, a quiet beauty, a nuance indecipherable makes a discreet entry into Valentino. A more commercial Valentino, mute, silent and absorbed before which nobody portray knees but at the future that awaits him, commercial future, a future, at least; encryption. But at least the blood of Valentino still awaited, latent, the explosion of fury and retains the elegance of the creator; the last couturier.
Alessandra has created simple and feminine dresses for the red carpet or for a cocktail in Tuscany. There are versatile but are correct and are female. A white powdered and satin, layers of gauze and details on organza and a rock, the rock that Valentino Rock And Rose. Princesses bad heirs holy.
Blue deep, a stolen blue sky without stars, the gateway Valentino. Word of honor, pens, drink and a look straight out of the keys Rachel Zoe, the most it is much more, the rock star, the Red Carpet charged sense for Alessandra. Undoubtedly, we will see on the red carpet.
The sixty-six coats that made the legendary genius Valentino was reinvented, lose the target, returning to mourning and put a mediocre chocolate brown satin. That pledge is seeking to sell the "voucher for the day and night" but always rests in the closet for too arranged for the day and too casual in the evening. Facchinetti should be told that the brown and black colors are only suitable for Dior Monsieur.
The pink, say it is the color of Alessandra, has been the replacement of red Valentino. Powdered Rosa, feminine pink, pink satin, pink cream, pink flower. The chic French with Italian luxury. Or it seeks.
Perfect Facchinetti as it tries to dress herself. Ladies in town is what should be expected in Valentino and not rock stars died before birth or trends in vain. Wealth of materials and sobriety. Pink and black suit, gauze and wool. The counterpoint.
The evening reminded Lanvin, but red. There seems to have wanted to create a new silhouette, (Do we sell the as yet another visionary in the way?) But remains in the typical cliché. Reinvented texture Napoleon worse is that Valentino is not divas of Cabaret, ladies cinema.
The collection of Alessandra is perfect. Well, perfect from the economic point of view. Valentino will be the next mark of clones, Valentino will be the next commercial. Soon sheets will Valentino. Well, a round of applause for Facchinetti and a council: Ladies of the city are what you want, this fashionista lover of luxury, a sober and austere, shape and cut, the legacy of quality and luxury fascinating face of decadence and the vain glory. The rock star, socialities and celebrities have no place in Valentino and, of course, do not in the Old Valentino. What we need to know, ladies and gentlemen is that Valentino has a new tyrant and is not Facchinetti, is the man in the gray suit.
